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Explore 60's American popular culture

Since the 19th century, there has been a great divide between a master who works for the masses and a lone wolf. Lust was created out of their beliefs. Since that time, artists have begun to perceive themselves as an exiled race.The history of art is no longer a record of the lives of successful masters. It will be the story of a handful of lonely people. The cultural changes of the 1960s were great.

counter culture

The 60s counterculture has traditionally been treated as a phenomenon collectively known as the ideology of youth rebellion. Also, along with hippie aesthetics, the “New Left” consciousness and the “Cultural Revolution”. It was in America that it became so massive. It was a theoretically installed movement. The echoes of these cultural upheavals are still readily recognized in Western consumer culture.

A lot of research has been written about this, including free essay samples. College students and anyone else can look up papers and find many free essays. Everyone can see the ideal culture essay example of Perception. Pop culture essays like this one help us better understand the people of the time.benefit from reading essay on popular culture For students writing works about culture. Students can use popular culture essays for research papers and learning new information. Many philosophers considered this to be the last attempt to bring about a humanitarian revolution.

Cultural development in the 60s

The development of American culture in the late 20th century occurred along several main lines. First, television popular culture was born during this period. America has finally become a single cultural space, soldered together by a unified set of recognizable television his characters, from movie actors to TV show hosts to cartoon characters.

Second, in the race between “high” (elitist) and “low” (low) popular culture, the latter won out unconditionally. Here are some examples of American writers of the 1920s and his 1930s, representatives of the “lost generation.”

  • Fitzgerald;
  • Hemingway;
  • Dospassos;

All of them had the opportunity to become masters of thought. In the 1950s and his 1960s, the general consciousness of the United States was much simpler. Also, a more graphic form of cultural reflection and promotional materials for an all-consuming “consumer culture”.

Third, the rapid “popularization” and unification of American culture has sparked opposition movements. First he faced 1950s beatniks, then he faced 1960s various counterculture and pop culture forms. It can be argued that the development of American popular culture and its dissident cultural alter ego after World War II was one of the most powerful creative explosions in human history. Never before have so many people been involved in so many different forms of cultural creativity at the same time. The quality and sophistication of the final cultural product did not reach the high standards of earlier eras. However, wide access to the ‘cultural means of production’ has allowed people who never dreamed of this to unlock their potential.

Cultural influence on America

Equally important is the fact that the number of consumers of new forms of culture has increased significantly. Millions of entertainment industry customers provided a steady income for its owners. The concept of “entertainment” as a worthy and necessary form of human activity, leisure as an integral part of life. And simple additions to obligatory and morally justified work finally took shape in America in the late 20th century.

At the same time, we must admit that:

  • Rebellion against cultural adaptation in the 1950s.
  • hippie movement;
  • free love ideas;
  • experiments with drugs;
  • Passion for rock music.

This was also a rebellion of the baby boomer generation.success achieved by parents did not impress the young man American. A keen sense of social injustice forced some of them to support the civil rights movement. and so on. The Vietnam War, the first “television” war in human history, reinforced all these tendencies and helped justify a cultural rebellion that might otherwise have remained an unfulfilled project.

woodstock rock festival

The counterculture movement of the 1960s culminated in August 1969 at the Woodstock Rock Festival in New York State. Janis Joplin, Creedence Clearwater Revival, The Who, The Jefferson Airplane, Joan Baez, Joe Cocker, Jimi Hendrix and more took the rock movement to an audience of 400,000 for several days. Never before, or since, has Woodstock put its famous slogan “sex, drugs, rock and roll” into action more visibly. However, with the culmination of the hippie era, Woodstock also came to an end.

Conclusion

The “gravitational waves” of cultural processes are spreading widely around the world. It permeated, among other things, behind the Iron Curtain. It was facilitated by the US economic dominance in the production of consumer goods. At the time, recording became the most important component of cultural influence. Music has turned from simple entertainment into a powerful translator of cultural codes.

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